Every time I look at The Blind Girl I forget the two girls are beggars. That may be due to the blind girl’s blissful expression. Also, John Everett Millais sets them in a picturesque field of lush, joyful color. Still, this lovely duo holds us gripped in their happy moment.
This Portrait of Countess Golovina shows why Élisabeth Louise Vigée Le Brun was a beloved artist. Her artistry extended deeper than paint and canvas into lasting camaraderie.
Salome with the Head of St. John the Baptist didn’t make Guido Reni famous. His 17th century Italian frescos made him the artistic darling of Bologne. This painting captures a Bible story with a singular image. Salome’s story revolves around beauty, obligation, and cold loathing.